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In spite of its grim story of two orphans’ struggle for survival after Japan’s surrender, this an aesthetically hopeful, vividly rendered film which put Ghibli on the map. “Grave of the Fireflies” (1988) Isao Takahata’s animated wonder is a tragic remembering of Kobe, Japan after a US-staged firebombing in World War II. “Laputa: Castle in the Sky” (1986) Miyazaki’s gorgeous rip-roaring fantasy action adventure–sky pirates! magic crystal! airborne chases!– had a major influence on James Cameron’s “Avatar,” as it features an orphan girl’s quest to solve the mysterious force that keeps karst peaks aloft in the air, hidden by clouds.ħ. Based on the 1985 children’s novel by Eiko Kadono, “Kiki” was the first Ghibli film to be released in the U.S. She tries out her prodigious skills, including exhilarating aerial feats on her broom far above the verdant countryside, with talking cat in tow. “Kiki’s Delivery Service” (1989) Years before the “Harry Potter” series, Miyazaki gives us yet another feisty heroine as an engaging 13-year-old witch proves her independence by running a bakery courier service. However, “Ponyo’s” strongest element is the precious bond between parents and children, who both learn to see the world through the other’s eyes.ĩ. The seaside village (much like the one in “From Up on Poppy Hill”) is a richly detailed and tantalizing paradise and the hand-drawn waves are a delight (the secret was keeping the squiggly lines moving all the time).
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While the story of a magical goldfish wishing to break free from her overbearing wizard father was more kid-friendly than Miyazaki’s previous movies, the Hans Christian Andersen-influenced fable enchanted young and old alike. “Ponyo” (2009) was a lovely departure for Miyazaki (and the largest theatrical rollout ever for him in the U.S.). Here are the Top Ten Films by Studio Ghibli. ( Written by Bill Desowitz, Beth Hanna, Ryan Lattanzio and Anne Thompson.)ġ0. READ the review of “From Up on Poppy Hill” here. Miyazaki has always been able to capture the forces of nature and the great outdoors, in this case, a quaint 60s Japan just dealing with encroaching modernization. He doesn’t like spending time drawing villains, so he doesn’t do it much.Īnd the studio’s latest “From Up on Poppy Hill,” written by Miyazaki and directed by his son Goro, is also sublime it whisks you into another stylized, hand-drawn 2D world. He was thinking about the images in that film for ten years, he said. Miyazaki, who studied politics and worked his way up as an animator while always wanting to write manga comics, admits that he never wanted to make Totoro’s origins or powers crystal clear. He celebrates quiet moments.”Īt Lasseter’s Academy tribute to Miyazaki, the Disney animator provided commentary on his favorite Miyazaki clips: a rousing helicopter rescue operation in “Castle in the Sky,” a bar scene with pig-faced aviator “Porco Rosso,” the scary magic of “Spirited Away,” and the dreamlike catbus scene from “Totoro,” as the giant furry creature waits with two little girls in the dark rain at a bus stop. “I love the positive messages in all the films,” he said. The language only adds subtlety and depth. That’s what it’s all about.” Backstage, Lasseter said that you could watch the films in Japanese with no subtitles and still figure out what was going on. When Lasseter interviewed Miyazaki in front of 6500 fans in Hall H, the Disney/Pixar chief praised him for running a “filmmaker-led studio dedicated to making great movies. At Comic-Con in 2009, Miyazaki told the crowd the secret behind his artistry: “My process is thinking, thinking and thinking, thinking about my stories for a long time,” he said with a smile. around the time of the now classic “My Neighbor Totoro.” Where Lasseter has developed a strong collaborative ethic at Pixar, he reveres Miyazaki for dreaming up his stories and drawing much of the storyboards and characters himself. The two men are mutual fans and friends, going back to Miyazaki’s visit in the 80s to the U.S. Miyazaki and Lasseter share something rare: they are filmmakers in charge of animation giants in their respective countries, Studio Ghibli and Disney Animation/Pixar. Now that Hayao Miyazaki’s masterpieces “My Neighbor Totoro” and “Howl’s Moving Castle” are available on Blu-ray we ranked the Top Ten Studio Ghibli films (hint: “Totoro” and “Howl’s” make the list).Īs John Lasseter has been called America’s new Walt Disney, so is Miyazaki known as the Disney of Japan.